{"id":3645,"date":"2020-06-15T15:33:12","date_gmt":"2020-06-15T12:33:12","guid":{"rendered":"https:\/\/backlight.fi\/?page_id=3645"},"modified":"2020-08-13T17:05:21","modified_gmt":"2020-08-13T14:05:21","slug":"benedicte-vanderreydt-in-utero","status":"publish","type":"page","link":"https:\/\/backlight.fi\/fi\/benedicte-vanderreydt-in-utero\/","title":{"rendered":"B\u00e9n\u00e9dicte Vanderreydt: MATER SEMPER (CERTA) EST"},"content":{"rendered":"<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/backlight.fi\/wp-content\/uploads\/2020\/07\/POULPES_vanderreydt_web2.jpg\" alt=\"\" class=\"wp-image-3710\" srcset=\"https:\/\/backlight.fi\/wp-content\/uploads\/2020\/07\/POULPES_vanderreydt_web2.jpg 1024w, https:\/\/backlight.fi\/wp-content\/uploads\/2020\/07\/POULPES_vanderreydt_web2-150x150.jpg 150w, https:\/\/backlight.fi\/wp-content\/uploads\/2020\/07\/POULPES_vanderreydt_web2-300x300.jpg 300w, https:\/\/backlight.fi\/wp-content\/uploads\/2020\/07\/POULPES_vanderreydt_web2-768x768.jpg 768w, https:\/\/backlight.fi\/wp-content\/uploads\/2020\/07\/POULPES_vanderreydt_web2-60x60.jpg 60w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>B\u00e9n\u00e9dicte Vanderreydt: <strong>Supernumerary embryos<\/strong><\/figcaption><\/figure>\n\n\n<p>&nbsp;<\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong>5.9.\u201328.9.2020<\/strong><br><a href=\"https:\/\/valokuvakeskusnykyaika.fi\/\">Valokuvakeskus Nykyaika<\/a><br>Kauppakatu 14, Tampere<br>Mon\u2013Fri 12\u201318, Sat\u2013Sun 12\u201316<br>Free entry<\/p>\n\n\n<p>&nbsp;<\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Mater Semper (Certa) Est<\/em><\/strong>&nbsp;is a mixed media exploration through photographs and film installation.&nbsp;This project<strong>&nbsp;<\/strong>echoes B\u00e9n\u00e9dicte Vanderreydt\u2019s last two series:<em>&nbsp;I Never Told Anyone<\/em>&nbsp;ja&nbsp;<em>Les Ulysses<\/em>. She explores the different levels of construction of the female identity from adolescence to adulthood and she envisions the successive roles that women are able to embody: child, wife, mistress, mother\u2026. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Mater Semper (Certa) Est&nbsp;<\/em><\/strong>is an irrefutable principle of Roman law: The identity of the mother is  always certain, unlike the father. Since 1978, when the first child was conceived by the technique of in vitro fertilization, the principle of&nbsp;<em>Mater semper certa<\/em>&nbsp;is no longer applied. For the past 50 years, science has progressively colonized the realm of procreation.&nbsp;Yet, nature has never been so sacralized, mainly by morality and by law.&nbsp;The  number of children conceived through MAP (Medically Assisted  Procreation) is 5.4 million worldwide. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vanderreydt is interested in how science becomes myth through this heavy treatment and how science yearning towards omnipotence had an impact on women\u2019s body and mind.&nbsp;In this child conquest, she is wondering about the glorification of the will at the expense of the body and its life experience.&nbsp;What about the moon? Our cycles? Our feminine unconscious?&nbsp;Her  work\u2019s intention is not to oppose two myths: the scientific territory and the feminine territory, but to raise ethical issues, human responsibility or how the scientist protocol acts and governs  procreation and moreover the uterus. She is trying to study their  construction, their language and show how women lose all sense of  nature.&nbsp;Through her film, B\u00e9n\u00e9dicte also wonders about what the female body contains, how this body uses chance, the psychic and the magic.&nbsp;<br><\/p>","protected":false},"excerpt":{"rendered":"<p>&nbsp; 5.9.\u201328.9.2020Photographic Centre NykyaikaKauppakatu 14, TampereMon\u2013Fri 12\u201318, Sat\u2013Sun 12\u201316Free entry &nbsp; Mater Semper (Certa) Est&nbsp;is a mixed media exploration through photographs and film installation.&nbsp;This project&nbsp;echoes &hellip;<\/p>","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-3645","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/backlight.fi\/fi\/wp-json\/wp\/v2\/pages\/3645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/backlight.fi\/fi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/backlight.fi\/fi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/backlight.fi\/fi\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/backlight.fi\/fi\/wp-json\/wp\/v2\/comments?post=3645"}],"version-history":[{"count":10,"href":"https:\/\/backlight.fi\/fi\/wp-json\/wp\/v2\/pages\/3645\/revisions"}],"predecessor-version":[{"id":3765,"href":"https:\/\/backlight.fi\/fi\/wp-json\/wp\/v2\/pages\/3645\/revisions\/3765"}],"wp:attachment":[{"href":"https:\/\/backlight.fi\/fi\/wp-json\/wp\/v2\/media?parent=3645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}